Monday, November 21, 2011
Surrogates, vol 1 and vol 2
Witchfinder: In the Service of Angels
Biomega, vol 1 and vol 2 and vol 3
With more to come soon. Check them out and comment if you like.
After almost two years off, it's been a lot of fun writing reviews again. Even though I read all the time, the experience is so different when you have to think about something critically.
Sort of related, last night I downloaded the free trial version of the writing software Scrivener. I'm just starting to really play with it, but I'm really curious to see if it's as good a product as I keep hearing. More on that later (probably).
Friday, October 28, 2011
The main character (I hesitate to use the word hero for any Moorcock book) is Ulrich von Bek. Son of a learned nobleman, he rejected his father and family by first becoming a soldier and, later on, a mercenary for hire. The novel opens towards the end of the Thirty Years War, with Europe in general and Germany in particular largely torn apart by the long, violent clash between nations. Ulrich (whose similarity in name to Elric is certainly purposeful) is battle-weary at this point. We see him travelling across a devastated landscape looking for temporary sanctuary before joining yet another conflict.
Ulrich stumbles across an ancient castle. Lacking any guards, he first thinks it empty and helps himself to a nice bed and some food. But it isn’t long before he discovers Sabrina, a beautiful raven-haired woman he instantly falls for. After a wild night of debauchery, Sabrina openly admits to being a slave for Lucifer and that she’s being used to help arrange a meeting between Ulrich and her master. Ulrich thinks Sabrina, despite her intelligence and beauty, might be a bit crazy. Or at least her master might be. Curious, he decides to play along to see what will happen.
The Lucifer he meets, as it turns out, is quite real. But this Lucifer is not the stereotypical fire-and-brimstone devil. There’s no pitchfork, no horns, no tail. Ulrich walks into the fallen angel’s private study and finds “Seated at the table and apparently reading a book...the most wonderful being I had ever seen. I became light-headed. My body refused any commands. I found myself bowing” (34). This description sits closer to the descriptions we see of Angels in the Bible than it does to the stereotypical descriptions of demons and devils. Which makes sense since Lucifer is, after all, an Angel God kicked out of heaven. The portrayal here reminds me of Lucifer as Neil Gaiman portrays him in his Sandman series, and, of course Mike Carey’s spinoff comic book series Lucifer. It would not surprise me to find out that this novel was an influence on both writers. Lucifer has a deal for Ulrich.
Since Ulrich has spent most of his life bringing war to the world, Ulrich’s soul belongs fully to Lucifer. The fallen angel vows to release Ulrich’s soul on the condition that Ulrich locate the Holy Grail. Lucifer believes it to hold the secret to the cure for the world’s pain and through its use hopes to both bring mankind eternal happiness and reclaim his own place in heaven at God’s side. Despite the being’s obvious power, Ulrich remains dubious that this could be the one and only Lucifer. So the demon takes the warrior on a whilrwind tour of hell, showing him everything from bored spirits to tormented souls. Ulrich accepts Lucifer’s deal, on the one condition that Sabrina’s soul be released as well if he succeeds. The quest takes Ulrich across war-torn Europe and deep into forgotten mystical lands. Along the way he acquires a companion, a not-too-bright East European warrior named Sedenko who pledges his life to help Ulrich. He also meets Groot, a strange mystic who holds the key to the Grail’s location. These two very different companions represent two different ways of looking at the world---Sedenko’s being filled with supersition and mistrust while Groot holds tight to ideas of mysticism and idealism. The two of them have several disagreements throughout the tale. Discouraged about there progress, at one point Ulrich asks, “What’s the use?”
Groot replies, “Because we are alive, I suppose, Captain von Bek. Because we have no choice but to hope to make it better, through our own designs.” “The world is the world,” said Sedenko. “We cannot change it. That is for God to do”.“Perhaps he thinks it is for us to do,” said Groot quietly. 156
This last line is key to the ideas of free will and taking responsibility, two of the great themes of this book.
But this is also an adventure story, and what would an adventure be without a villain? Early in his journey Ulrich meets a man named Klosterheim. A former valiant knight who also once sought the grail, Klosterheim now serves a demon of hell hoping to take advantage of Lucifer’s failure and usurp control of both Hell and Earth. Groot tells us:
...should Lucifer be defeated, there will be a wild carelessness come upon Creation and it will be the end of the world, indeed. There will be no single Anti-Christ, though Klosterheim could be said to represent them all. There will be open warfare, in every region, between Heaven and Hell. It will be Armageddon, gentlemen, as has been predicted. Mankind will perish. And I believe, no matter what the Christian Bible predicts, that the outcome will be uncertain. 151
When Ulrich first meets Klosterheim he is little more than a gang-leader controlling a handful of vagabonds. But by the end he is a true threat, reigning over a vast army of men, demons and undead eager to stop Ulrich from fulfilling his quest. Because this is a heroic tale Ulrich does ultimately find the Grail and sees it for what it is---a simple clay pot. In a final confrontation between himself and Klosterheim, Ulrich holds the Grail out towards Klosterheim’s blood-hungry horde.
I held the Grail up high. No shining came out of it. No music came out if it. No great event took place. It remained what it was: a small clay pot.Yet, here and there in the ranks of Hell, pairs of eyes became transfixed. The looked. And a certain sort of peace came upon the faces of those who looked....They were falling to their knees. The were dismounting from their beasts. Even the most grotesque of them was transfixed by the clay pot. 175-176
The evil warriors defeated, Ulrich travels back to the castle to give the Grail to Lucifer and end his quest. Ulrich finds Lucifer not a champion but a being given a new task.
I am charged to bring Reason and Humanity into the world and thus discover a Cure for the World’s Pain. I am charged to understand the nature of this cup. When I understand its nature and mankind understands its nature, we shall both be redeemed...Your destiny is yours. Your lives are your own....You are at the beginning of a new age for Man. Man, whether he be Christian or pagan, must learn to rule himself, to understand himself, to take responsibility for himself. There can be no Armageddon now. If Man is destroyed, he shall have destroyed himself.
So we are to live without aid? Sabrina asks.
“And without hindrance," Lucifer replied. 180
Like all great stories, while the tale of Ulrich ends here it plants the seeds for another story. At this ending I couldn’t help but think what would come next of humanity and I see with interest that the next volume in the series takes place in Europe in the late 1700’s----after the influence of the Age of Reason stirred populations in colonial America and Europe to revolt against the long-held power of the royal families .
Overall the book is a mix of (sometimes heavy-handed) philosophy and action, so basically I loved it. It explores some high-minded thoughts you don’t always see in fantasy---or even traditional fiction----very often. I was also quite surprised by how much I liked Ulrich as a character. While Elric with his constant hand-wringing and wanting to change the established order is certainly a interesting I can’t say I’ve ever liked him. Ulrich, on the other hand, is a man of action but smart enough to think about beforehand. He’s a good leader but also willing do the hard-work and also sit down, have a beer and get to know his men. Much more interesting and rich a character. Since the next two books look at other generations of his family I’ll be especially interested to see what they are like and how this will tie into the whole Eternal Champions thing.
Next up: Book II in the Von Bek Cycle: The City in the Autumn Stars
Monday, September 26, 2011
Friday, September 16, 2011
1. The covers featured photos, not the usual drawings, of girls that look like teen girls acting sexy. Although I understand the criticism the photos are less racy than any fashion magazine and, really, than the art in a lot of superhero comics. Plus I think they were going for the whole Gossip Girl crowd.
2. The story features teenagers in the early 1960's having (gasp!) sex! Sure, you can call this a bit exploitative but let's face. Teens have sex. Or at least a lot of them do. Plus if you bother to read to the ending you'll see their sexual activities end up having real consequences (pregnancy, hurt feelings, loss of opportunities in life) that they are left to deal with for the rest of their lives.
3. I think the real reason comics fans reacted so strongly to this is because Millar made this a complicated love mixup romance between May, her friend Mary, Ben and his brother Richard. If those names are familiar to you it's because they are the same names as Peter Parker's (you know, Spider-man) parents and Aunt May and Uncle Ben. Essentially, May cheats on her boyfriend Ben and gets pregnant by Richard, who is Mary's girlfriend. For reasons not worth getting into here friend Mary decides to lie for May and take the child for her own. So not only does it portray Peter Parker's nice old aunt as being a tramp in her teenage years, it also sets her up as his real mother, which all pretty much smacks comic lore right in face. And there's no way to get the ire of the comic book world faster than to write a story that even suggests something different than the known canon of superhero lore. Honestly, I thought it was kind of funny.
Don't get me wrong. This is not a great graphic novel/comic book series. It's an entertaining older teen romance story and it reminds me of a lot of the half-baked romance/comedies I grew up with in the 80's like The Flamingo Kid, but it's nowhere near bad. If you want to hate a series, fanboys, get over yourselves and at least hate it for the right reasons.
Saturday, September 10, 2011
If you aren't familiar with Elric, the character is essentially Moorcock's response to the extreme popularity and reverence the world had at the time for Tolkien's Lord of the Rings saga. Elric is the last emperor of a stagnate civilzation known as Melnibone. Elric the Albino, as he is often called, is physically weak and supplements his health with a regimen of drugs and herbs. Unlike the rest of his people Elric holds a tiny sliver of regret for the decadence his empire enjoys and sees it as a sign of the end of their generations-long rule. This makes him unpopular and a target by his family members who seek to end his life and steal his political power for themselves. To survive, Elric sets out on a quest for the magic sword Stormbringer, a powerful magic weapon that lives off the souls of any it strikes down.
The Elric books were first recomended to me back in high school. A friend at the time loaned me the first one; I remember taking it home, starting it after dinner and reading it straight through until 5 AM the next morning. Even by today's standards Elric is such a different hero, for lack of a better term. He does reprehensible, horrible things, but he also continually questions what he does, why he does it and why the world is as it is. That existential twist sparked something in me, so I went on to devour the entire series.
A few years later, probably half-way through college, I read something somewhere that cited Elric as Moorcock's first piece in his complex Eternal Champions cycle....something only vaguley hinted at in the Elric books. As I understand it, which is not very well at all, the Eternal Champion is a kind of reincarnation of a poweful, pivotally important being. Sometimes they serve good. Sometimes evil. And sometimes something in-between. This concept runs through a lot, although not all, of Moorcock's fiction, showing up in fantasy, science fiction, psychelic spy satires, and more.
Unfortunately most of the dozens of books that fit into the cycle are out of print, so I've picked them up randomly over the years when I find them in used book stores. Which has made understanding the whole over-arching concept of the eternal champion a bit difficult. Re-reading Elric of Melniboné made me want to figure out the whole thing out so I visited Moorcock's own website to figure out a place to start. There, in the forums, is a listing of all the Eternal Champion's titles and the suggested order of reading.
Oddly enough, the most suggested starting place is not the Elric books but another series called Von Bek. Set much later in time, and written a decade later, it seems an odd place to dive in. But it was suggested by both readers and Moorcock himself as a place to get a real foothold in the crazy multiverse he's created. I have an old copy of the first volume, The War Hound and the World's Pain, sitting on my shelf right now. There are so many books that tie into Moorcock's Multiverse and the Eternal Champion that I'm probably setting myself up for failure. But we'll see if I can figure this thing out.
Friday, September 02, 2011
Tuesday, August 30, 2011
Yesterday I paid what will likely be my last visit to a Borders Books. Here's a typical shelf in their store:
As you can see, things are about half-full, like some carcass partially picked over by a small flock of vultures. What's there is kind of in order, but not really. The staff seemed more interested in selling the tables and bookcases than in helping confused customers find books. And frankly, I don't blame them.
It was a melancholy experience for me. I grew up in the Virginia suburbs of Washington, D.C. Up through high school the only game in town were B. Dalton's and Waldenbooks. Nice stores for their day but pretty small in comparison to what we've become used to. I'm pretty sure the stores from my youth would only barely hold the regular fiction collection of a Borders or B&N, so when Borders first came to the area when I was in college it was like a revelation. And it wasn't just about size.
You mean you don't stick Sci-Fi into the darkest, loneliest corner of your store?
You mean you actually carry comics and graphic novels? Like on the shelf?
And you'll special order stuff for me and not sneer at me while you do it?
For the first time since I was a little kid I actually felt welcome in a bookstore. It was fantastic and I made a point to visit it every time I came home from college so I could stock up on pleasure reading for the semester.
As I've gotten (much) older and my tastes have changed I've found less and less by just browsing in their stores, but certainly more than I do when I browse their main competitor. Losing all of these stores will be a loss for many communities.
Take where I live: Prince George's County, Md. A suburb of Washington, D.C. Population of 863,420 and, according to Wikipedia, "the wealthiest African-American majority county in the nation". With the Borders stores closing, that sadly leaves all of two bookstores in the entire county. When the location in Landover shut down a few months ago it ended a series of weekly kids programs, teen book groups, adult book groups, an anime club, author readings, and a place many went just to read, write, and use their internet while sipping coffee. Say what you will about poor business decisions by corporate and ineffective competition, but around here I know book lovers will feel a real sense of loss when these stores shrivel up.
Saturday, August 27, 2011
This little rant isn’t so much a review as it is a discussion with myself over some of the difficulties I sometimes struggle with when it comes to teen-oriented graphic novels. As far as topic and theme, Lucille is a fantastic book for teens. It explores some very difficult issues but in a manner that’s personal, moving and, perhaps most important for a teen book, accessible. Debeurme’s artwork seems simple, maybe even crude, at first. But it matches quite well with the story and there are some images that stab you right in the heart.
But there are two scenes in the book that portray man-on-woman oral sex. It’s not overly graphic but it’s certainly obvious what’s going on. Personally I don’t have a problem with it. There’s a purpose to both scenes and they play powerfully into Lucille’s disturbed psychology in a way that anyone who’s experienced abuse of any kind will certainly understand. So while I would love to be able to hand this book to teens coming into my library, especially any struggling with issues like these, I know doing so would likely get me in a big heap of trouble solely because of these two illustrations. Adapt this book to one of complete prose and fewer people would have any issue with the book. Heck, find a way to take out those two scenes without cutting the power of the book (which I don’t think is possible) and people would have a hard time arguing against this book in any way.To be fair, Top Shelf isn’t marketing this as a Young Adult/Teen book. And I don’t know that the creator intended it to be one, either. I don’t have an answer here, it’s just something I’m struggling with right now.
Saturday, May 28, 2011
I just finished the first draft for personal essay/memoir kind of thing. Although it's mostly based on things that happened to me, there are a couple of fine details I want to research and nail down before I even think about sending this thing out. One of them being the date of a concert I went to in the mid 1990's. I know the year. And it was snowing that night, so I know it was sometime between November and March. But beyond that I really don't remember.
So I spent a couple of hours digging through the electronic databases at work, accessing The Washington Post as well as some more local papers, looking for any mention of the specific concert tour. It wasn't a major stadium tour, but at the 9:30 Club in D.C. Not the current super-warehouse space, but the old, dingy bar near the Metro Center metro stop (oh how I miss that dirty place). I couldn’t find anything, so it became apparent that it wasn't a show Mark Jenkins or one of the other critics reviewed. But I thought I'd still find it listed in an events guide in old weekend sections or something. But the databases don't seem to capture any of that stuff----just the actual articles. In the end, I think I'll have to trek out to the one library in my library system that still has old issues of The Washington Post on microfiche, and go through the weekend sections week-by-week until I find what I need.
I was at writing conference once and heard Karey Joy Fowler talk about her process and how one of the greatest tools for her in writing historical fiction is going through the advertisements and personal ads to get a sense of the language, what people bought, ate and did for fun. Details like that are still getting left out with most of our digital tools. It just points out to me some of the limitations of using digital sources for research. They can be a wonderful time saver if they have what you want, but for those pieces that are a little more esoteric----and those are often the pieces that are the most fun-----you still have to get your hands dirty flipping through physical newspapers, magazines and microfiche.
Wednesday, May 11, 2011
Most of the reviews I've seen have focused on the humor and Yu's similarities to Douglas Adams. And while Adams is certainly in this book, I think a stronger influence might be Italo Calvino. A Calvino raised on a steady diet of Star Trek, Star Wars, Heinlein and X-Men comic books, but Calvino nonetheless. The following paragraphs from the book really sum up my thoughts on it:
Time travel was supposed to be fun, it was supposed to be about going to places and having a bunch of adventures. Not hovering over scenes from your own life as a detached observer. Not just lurching from moment to random moment, and never even learning about those moments. (401)
Get back in the box. Set it for home, present day. Go see your mom. Bring your dad. Have dinner, the three of you. Go find The Woman You Never Married and see if she might want to be The Woman You Are Going to Marry Someday. Step out of this box. Pop open the hatch. The forces within the chronohydraulic air lock will equalize. Step out into the world of time and risk and loss again. Move forward, into the empty plane. Find the book you wrote, and read it until the end, but don't turn the last page yet, keep stalling, see how long you can keep expanding the infinitely expandable moment. Enjoy the elastic present, which can accommodate as little or as much as you want to put in there. Stretch it out, live inside it. (459)
I read this as an Ebook through my Ipod touch. The book is filled with footnotes, diagrams and pictures that go along with the narrative. Now these aren't directly in the text, but presented to the reader as an optional hyperlink you can open by pressing with your finger. I've seen the footnote thing with non-fiction titles, but this is the first fiction title I've seen use the Ebook format in this way. Yu even takes an extra step by giving a link to a Youtube video demonstrating a brain experiment on how the human brain acts when it makes specific choices.
A small lightbulb went off in my little brain on how most of this isn't possible in your standard Ereader; it requires a tablet, cell phone or other web-ready device that can handle something more than B&W text and simple pictures. The whole experience reminded me a little of the web-based Hyperfiction texts you'd find at places like Alt-X in the mid to late 90's. It's kind of exciting and I'm really curious to see what a writer with a real formalist/expermentalist bent like Danielewski could do with a tool like an Ereader.
Tuesday, April 26, 2011
I'll need to buckle down and read the others---for whatever reason my tastes tend to lean more towards the PKD Awards than with the other Sci Fi and Fantasy awards. Harmony by Project Itoh sounds particularly fun.