I've been reading little but young adult books the last three weeks for three main reasons. They tend to be short, fast reads. They are almost always fun. And the disjointed mess I'm writing this year for NanoWriMo is probably best described as Young Adult and I felt like it would help keep me going (it has).
I've read a lot of good ones. The political parable After by Francine Prose. The surprisingly complex dark fantasy Sabriel by Garth Nix. But the one that's been sticking with me the most is the one I expected the least out of: Pagan's Crusade by Australian Catherine Jinks. Not because I thought it would be bad, but because I don't often go for historic fiction. Set in Jerusalem during the Crusades, the book focuses on Pagan, a young man who tries to escape his gambling debts by becoming a Squire for the Templars. Except for some of the battle scenes towards the end it's all pretty tongue-in-cheek and a pretty fun read. Here's the opening paragraph:
A big man in brown, sitting behind a table. Big hands. Big chest. Short and broad. Head like a rock, face scarred like a battleaxe. He looks up and sees---what's this? A street urchin? Whatever it is, it's trouble. Trouble advances cautiously.
I was hooked right away. The voice, the humor, the story...I loved it all. The more I read, the more I realized why I liked it so much.
Jinks writes like I do.
Short, focused sentences. Sentences designed to get the point across quickly and not waste time with flowery language. But every couple of pages she nail you with a piece of dialogue or a terrifyingly beautiful description, something that punches you in the gut and makes you stop and think for a moment.
Okay, to be fair I should probably say she writes like I try to write. Her work is considerably more polished than my own. While I see writers I admire and even love all the time, this is the first time I've come across one that seems to approach it in the same way I do. I know I'll continue with the Pagan series at some point soon, but in the meantime I've picked up her novel Evil Genius, a book that was hugely popular at my library this past summer. I'm eager to dig into it and see if her approach stays the same or if it differs book to book.
Until next time...
Excelsior
Showing posts with label YA. Show all posts
Showing posts with label YA. Show all posts
Friday, November 21, 2008
Saturday, November 08, 2008
Yalsa Literature Symposium: The Graphic Novel Precon
I've been in Nashville the last couple of days for YALSA's first ever Young Adult Literature Symposium. Things started for me with a special pre-conference called Picturing the Story, which focused on comics and their potential use in education and libraries.
Thanks to a kind invitation from Francisca Goldsmith and other folks at YALSA, I was minimally involved in running the pre-con. I brought some anime short films to show during registration, helped with the setup a little bit and moderated one panel discussion. Considering this was my first time doing something like this I think it went pretty well.
My panel discussion opened the day by focusing on the entire creation process of a graphic novel. Basically how it gets from the head of the creator to the page, from the page to the publisher, the publisher to the library and, finally, the library to the reader. The panelists were Svetlana Chmakova (author/artist of the Manga-influenced comic Dramacon), Kurt Hassler (an editor from Yen Press), Angela Frederick (a librarian from Nashville Public Library), and two teen readers to give us perspective direct from the target audience.
Svetlana was a huge hit. She opened things with a Powerpoint showing her background, some of her early work, and samples showing the illustration process she used in creating Dramacon. From there we moved into questions, and I was really pleased. Everyone on the panel, especially the teen readers, were really thoughtful and entertaining in their answers.
The rest of the pre-con moved along pretty well. Stella Farris, a school librarian from Austin, TX, presented a good primer on Manga. Somehow the questions from the audience all got steered towards yaoi, but considering all the misconceptions people had that was probably a good thing. Peggy Burns from Drawn & Quarterly, one of my favorite publishers of comics, did a good talk on adult graphic novels that teens might like. Although I've read a lot of what she talked about, there were a couple of titles that I definitely need to look for and check out.
But by far the star of the day was Gene Luen Yang. Although best known as the author/artist of American Born Chinese, the first graphic novel to be a finalist for the National Book Award, he's also a high school teacher. He did a mesmerizing presentation that somehow managed to cover different ideas of what makes a comic, how comics are influencing other media and how comics can be used in the classroom. He's a definite fan of comics and comics culture and his humor and enthusiasm really shined through his whole talk. Someone mentioned they would try to make his Powerpoint and audio from his talk available online; if that happens I'll be sure to put up a link. I was fortunate enough to meet with him for dinner that night along with some of the other presenters. On top of everything else Gene Yang is an incredibly nice and very genuine person.
I'll probably have more conference stuff later, as I go through and properly digest other sessions.
Excelsior
Thanks to a kind invitation from Francisca Goldsmith and other folks at YALSA, I was minimally involved in running the pre-con. I brought some anime short films to show during registration, helped with the setup a little bit and moderated one panel discussion. Considering this was my first time doing something like this I think it went pretty well.
My panel discussion opened the day by focusing on the entire creation process of a graphic novel. Basically how it gets from the head of the creator to the page, from the page to the publisher, the publisher to the library and, finally, the library to the reader. The panelists were Svetlana Chmakova (author/artist of the Manga-influenced comic Dramacon), Kurt Hassler (an editor from Yen Press), Angela Frederick (a librarian from Nashville Public Library), and two teen readers to give us perspective direct from the target audience.
Svetlana was a huge hit. She opened things with a Powerpoint showing her background, some of her early work, and samples showing the illustration process she used in creating Dramacon. From there we moved into questions, and I was really pleased. Everyone on the panel, especially the teen readers, were really thoughtful and entertaining in their answers.
The rest of the pre-con moved along pretty well. Stella Farris, a school librarian from Austin, TX, presented a good primer on Manga. Somehow the questions from the audience all got steered towards yaoi, but considering all the misconceptions people had that was probably a good thing. Peggy Burns from Drawn & Quarterly, one of my favorite publishers of comics, did a good talk on adult graphic novels that teens might like. Although I've read a lot of what she talked about, there were a couple of titles that I definitely need to look for and check out.
But by far the star of the day was Gene Luen Yang. Although best known as the author/artist of American Born Chinese, the first graphic novel to be a finalist for the National Book Award, he's also a high school teacher. He did a mesmerizing presentation that somehow managed to cover different ideas of what makes a comic, how comics are influencing other media and how comics can be used in the classroom. He's a definite fan of comics and comics culture and his humor and enthusiasm really shined through his whole talk. Someone mentioned they would try to make his Powerpoint and audio from his talk available online; if that happens I'll be sure to put up a link. I was fortunate enough to meet with him for dinner that night along with some of the other presenters. On top of everything else Gene Yang is an incredibly nice and very genuine person.
I'll probably have more conference stuff later, as I go through and properly digest other sessions.
Excelsior
Friday, April 04, 2008
YA Horror Novels
One of the projects for my Young Adult (YA) literature class was to develop an annotated bibliography highlighting titles within one specific area or genre of YA lit. I picked supernatural horror; I picked it for a variety of reasons, but mostly because one of the more common requests I get from teens is for a "scary book".
Surprisingly, there's not a lot out there. There are lots of thrillers featuring serial killers or drug dealers gone mad. And there are a good number of books using tropes of supernatural horror to tell a different kind of story, like the Twilight series by Stephanie Meyers that uses Vampires to tell a gothic-style romance. But there aren't that many books that have elements of the supernatural and are also scary. Here are some of the better ones I came across in pulling my list together.
Bradbury, Ray. Something Wicked This Way Comes.
This classic by award-winning author Ray Bradbury tells the tale of two Midwestern teenaged boys, James Nightshade and William Halloway, who battle against the dark carnival that comes to their small town one fall night. Carnival owner Mr. Dark is a horrifying villain as he twists and corrupts the adults of the town to his dark ways. Nightshade and Halloway are the only ones who realize his intent to steal the souls of everyone in the town, making the story a powerful parable of standing up to evil in all its forms. This literary-minded tale is creepy without being overly violent or gory.
Carmody, Isobelle. The Gathering.
This one was probably my favorite, partly because I've never heard of Carmody before. Nathaniel and his mother move to Cheshunt expecting a peaceful community and instead find a town twisted by a dark evil. While crime rates are low, Nathaniel quickly discovers they are kept down through fear and manipulation. Mr. Karle, the P.E. teacher at Nathaniel’s school, is running the town from behind the scenes through intimidation and psychological warfare. Even worse, Karle uses the Gathering, the school’s youth club, as his own personal Gestapo to stamp down any who might resist his will. Most of the town is willing to hand over control to the devil-tongued Karle, but Nathaniel befriends a group of fellow teens who want to fight against the tyranny. They learn Karle’s power comes from an old curse that fell on Cheshunt generations ago; to stop Karle they must face their own personal fears and purge the evil before Karle can spread his power beyond Cheshunt. In a style that meshes Robert Cormier with Ray Bradbury, this is a literary-minded tale of horror that can be read on many levels.
Chandler, Elizabeth. Dark Secrets: Legacy of Lies.
Sixteen year old Megan visits the grandmother she never met with the hopes of rebuilding the torn ties between her mother and grandmother. Megan finds it a bigger job than she first thought when she finds her grandmother to be a spiteful old woman filled with little but hatred and anger for the world around her. It doesn’t take long for Megan to hear the rumors and ghost stories about the generations-old estate her grandmother lives on. At the core of both her grandmother’s anger and the ghost story is Avril, sister to Megan’s grandmother who died as a teenager. To heal both the spirits and her grandmother Megan must learn the horrifying truth behind it all.
Partridge, Norman. Dark Harvest.
It’s Halloween 1963, and every teenaged boy in the unnamed, small Midwestern town is hunting for the October Boy, an evil spirit with a Jack-o-lantern for a head and twisted vines for a body that appears every year. Whoever kills the October Boy wins money and freedom from the hard life offered by the small farming town. Pete McCormack swears to wins this year’s hunt so he can escape the life he’s grown to hate. What starts as a fairly predictable shock-horror tale takes a sharp turn when we learn the real evil runs through the sheriff and mayor, who use the October Boy to control the town. This fast paced thrill ride develops into a meaningful metaphor on escaping the ills of the previous generation.
Shan, Darren. Demonata Number 1: Lord Loss.
Sly teen Grubbs Grady’s life is transformed when he sees his mother, father and older sister fall victim to the power of Lord Loss, a maniacal demon whose only love greater than dishing out pain is the game of chess. With everyone thinking he’s crazy, Grubbs is shuttled off from relative to relative until he finally finds one who believes him: his crazy, reclusive uncle Dervish. His uncle teaches him about the generations-old curse on his family and Grubbs decides he will be the one to end the curse by challenging Lord Loss to a dramatic game of multi-board chess. Winning will free his family from the curse; losing will give his body and soul over to the demon for eternity. Although it owes many of its bloodier ideas to H.P. Lovecraft and Clive Barker, this is a fast read that works as a nice transition for fans of younger series like Goosebumps who want something a little more grown up.
Westerfield, Scott. Midnighters #1: The Secret Hour.
Fifteen year old Jessica Day thinks life will be boring when she moves from the big city of Chicago to the small town of Bixby, Oklahoma. But odd things begin to happen at midnight. Everyone except her freezes, seemingly stuck in time, and the town is plagued by ancient monsters that look like flying snakes and giant panthers. Jessica finds some others who aren’t affected and learns the story of a secret hour the monsters use to hide themselves from the human world. The monsters, though, are gearing up for a great offensive against the real world and Jessica alone my hold the power to fight back. This smartly written horror mixes elements of the Twilight Zone and superhero comics, making it a powerfully addictive read.
Excelsior
Surprisingly, there's not a lot out there. There are lots of thrillers featuring serial killers or drug dealers gone mad. And there are a good number of books using tropes of supernatural horror to tell a different kind of story, like the Twilight series by Stephanie Meyers that uses Vampires to tell a gothic-style romance. But there aren't that many books that have elements of the supernatural and are also scary. Here are some of the better ones I came across in pulling my list together.
Bradbury, Ray. Something Wicked This Way Comes.
This classic by award-winning author Ray Bradbury tells the tale of two Midwestern teenaged boys, James Nightshade and William Halloway, who battle against the dark carnival that comes to their small town one fall night. Carnival owner Mr. Dark is a horrifying villain as he twists and corrupts the adults of the town to his dark ways. Nightshade and Halloway are the only ones who realize his intent to steal the souls of everyone in the town, making the story a powerful parable of standing up to evil in all its forms. This literary-minded tale is creepy without being overly violent or gory.
Carmody, Isobelle. The Gathering.
This one was probably my favorite, partly because I've never heard of Carmody before. Nathaniel and his mother move to Cheshunt expecting a peaceful community and instead find a town twisted by a dark evil. While crime rates are low, Nathaniel quickly discovers they are kept down through fear and manipulation. Mr. Karle, the P.E. teacher at Nathaniel’s school, is running the town from behind the scenes through intimidation and psychological warfare. Even worse, Karle uses the Gathering, the school’s youth club, as his own personal Gestapo to stamp down any who might resist his will. Most of the town is willing to hand over control to the devil-tongued Karle, but Nathaniel befriends a group of fellow teens who want to fight against the tyranny. They learn Karle’s power comes from an old curse that fell on Cheshunt generations ago; to stop Karle they must face their own personal fears and purge the evil before Karle can spread his power beyond Cheshunt. In a style that meshes Robert Cormier with Ray Bradbury, this is a literary-minded tale of horror that can be read on many levels.
Chandler, Elizabeth. Dark Secrets: Legacy of Lies.
Sixteen year old Megan visits the grandmother she never met with the hopes of rebuilding the torn ties between her mother and grandmother. Megan finds it a bigger job than she first thought when she finds her grandmother to be a spiteful old woman filled with little but hatred and anger for the world around her. It doesn’t take long for Megan to hear the rumors and ghost stories about the generations-old estate her grandmother lives on. At the core of both her grandmother’s anger and the ghost story is Avril, sister to Megan’s grandmother who died as a teenager. To heal both the spirits and her grandmother Megan must learn the horrifying truth behind it all.
Partridge, Norman. Dark Harvest.
It’s Halloween 1963, and every teenaged boy in the unnamed, small Midwestern town is hunting for the October Boy, an evil spirit with a Jack-o-lantern for a head and twisted vines for a body that appears every year. Whoever kills the October Boy wins money and freedom from the hard life offered by the small farming town. Pete McCormack swears to wins this year’s hunt so he can escape the life he’s grown to hate. What starts as a fairly predictable shock-horror tale takes a sharp turn when we learn the real evil runs through the sheriff and mayor, who use the October Boy to control the town. This fast paced thrill ride develops into a meaningful metaphor on escaping the ills of the previous generation.
Shan, Darren. Demonata Number 1: Lord Loss.
Sly teen Grubbs Grady’s life is transformed when he sees his mother, father and older sister fall victim to the power of Lord Loss, a maniacal demon whose only love greater than dishing out pain is the game of chess. With everyone thinking he’s crazy, Grubbs is shuttled off from relative to relative until he finally finds one who believes him: his crazy, reclusive uncle Dervish. His uncle teaches him about the generations-old curse on his family and Grubbs decides he will be the one to end the curse by challenging Lord Loss to a dramatic game of multi-board chess. Winning will free his family from the curse; losing will give his body and soul over to the demon for eternity. Although it owes many of its bloodier ideas to H.P. Lovecraft and Clive Barker, this is a fast read that works as a nice transition for fans of younger series like Goosebumps who want something a little more grown up.
Westerfield, Scott. Midnighters #1: The Secret Hour.
Fifteen year old Jessica Day thinks life will be boring when she moves from the big city of Chicago to the small town of Bixby, Oklahoma. But odd things begin to happen at midnight. Everyone except her freezes, seemingly stuck in time, and the town is plagued by ancient monsters that look like flying snakes and giant panthers. Jessica finds some others who aren’t affected and learns the story of a secret hour the monsters use to hide themselves from the human world. The monsters, though, are gearing up for a great offensive against the real world and Jessica alone my hold the power to fight back. This smartly written horror mixes elements of the Twilight Zone and superhero comics, making it a powerfully addictive read.
Excelsior
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